Biography

Smythe and Taylor (TC Smythe and Gary Taylor) are known for their tight, symbiotic harmonies, their humorous lyrics and ‘3-D’ brand of guitar playing. They've been performing together since 2000 and have 7 CD’s between them. They offer an eclectic variety of acoustic music, including contemporary and familiar tunes as well as their award-winning originals.

Their live shows celebrate the craft of songwriting in bluegrass, blues, folk, and Americana music. 'S&T' love to hit the road and perform for audiences in listening rooms and house concerts. 

Their latest CDs, "Come What May" and "You Shoulda Been Here Yesterday" are being released simultaneoulsy in the UK and the US. "Come What May" was expertly recorded by Jack Saunders at White Cat Productions in Houston, Texas using a talented array of local musicians that the duo are

proud to show off. All but two of the songs are original works. The counterpart CD, "You Shoulda Been Here Yesterday" is a collection of live recordings from six different venues in Poland, England and Texas. It contains a stunning 23 tracks, and will take the listener 'on tour' with Smythe and Taylor during the group's 2007 tour through these unique venues.

Their 2008 tour started early in July with an appearance at the Guildford Music Festival in England (sharing t-shirt real estate with Blondie and the Bay City Rollers) continues through West and Central Texas and will conclude at the end of August with an appearance in the Grand Parish Hall of the Christ Church Cathedral in Houston, Texas.

During their previous appearances at Guilfest, they shared stages with guitar legend Richard Thompson, The Waterboys, Hayseed Dixie, Blue Oyster Cult, Jimmy Cliff, The Sawdoctors, The Levellers and even Billy Idol!

The duo has enjoyed nominations in 4 categories of the Academy of Texas Music Awards for Song of the Year, Female Vocalist of the Year, Vocal Group of the Year and Songwriter of the Year.

Smythe and Taylor have publishing deals with Universal Music Group (Jen Rathbun - artist), and Bug Music (Susan Gibson, artist)

Venues
Guilfest (London, England)
Mragowo Country Music Piknik (Warsaw, Poland)
‘05/’06 Houston Int'l Festival
The Bugle Boy
(La Grange, TX)
Eddie’s Attic (Atlanta, GA)
Tamalpias (San Francisco, CA)
Old Quarter Acoustic Café (Galveston)
Freiheit Store (New Braunfels, TX)
JP’s Hops House (Houston, TX)
Woody Guthrie Festival (Okemah,OK)
Zeke’s Café (Victor, CO)
Bluebonnet Festival (Chappell Hill, TX)
Anderson Fair (Houston, TX)
The Malle Meid (The Hague, Netherlands)
Poodie’s Hilltop Café (Austin, TX)
McGonigel’s Mucky Duck (Houston, TX)
Club Ozscko (Warsaw, Poland)
Stiteler’s (Parker, CO)
R/B River Explorer (New Orleans, LA)
BP MS150 Bike Ride (LaGrange, TX)

Radio
Smythe and Taylor’s music enjoys airplay on KIKK, 95.7FM, KPFT 90.1 FM, KFAN, 98.3FM, KTMX 98.7 FM, and various AM stations throughout Canada. TC recently sang the radio commerical for the Great Water Guys
Television
/Film
 Smythe and Taylor have appeared live on Fox CH. 26 "Fox Rox" morning music show, KUHT's TV Channel 8's "The Connection" and ABC Channel 11's morning newscasts. Gary’s hit single, “You Can’t Be  A Wimp and Live In Texas” is on the soundtrack for the movie “Braddenton, Texas”, (working title) in which he played a bit part!

 Awards
1998
 
 
1999
 
2000
 
 
2002
2003
Houston Fort Bend Songwriter's Association- Lyric Winner
HFBSA- Folk Champion
American Songwriter Magazine - Lyric winner
HFBSA-"Songwriter of the Year"
Houston Acoustic Jammies - "Best Original Song"
American Songwriter Magazine - Lyric winner
HFBSA -"Songwriter of the Year"
HFBSA -"Song of the Year"
HFBSA "Song of the Year" 
HFBSA Lifetime Achievement
2004
 
2005
 
 
 
2006
Academy of Texas Music "My Texan" Award
HFBSA "Songwriter of the Year"
Academy of Texas Music - Nominee "Songwriter of the Year"
Woody Guthrie Award - Winner
Academy of Texas Music
Nominee "Female Vocalist of the Year"
Nominee "Vocal Duo of the Year"
Nominee "Song of the Year"
Nominee "Songwriter of the Year"

 Reviews
By Jimmy Patterson - Midland Reporter-Telegram
Published: Sunday, August 3, 2008 10:00 PM CDT
 
Houston-based folk duo Smythe and Taylor is the featured artist at this weekend’s free Summer Lawn Concert show at the Museum of the Southwest. Sunday's show kicks off at 7:45 p.m. Audience members are encouraged to bring their blankets and lawn chairs and relax during the concert.
 
Smythe and Taylor returns to the venue after a successful performance here last July. The pair is comprised of two former oil company employees: Gary Taylor, who will retire from touring after the band's August dates, and T.C. Smythe, a Midland native who wrote “My Real Hometown,” about her days growing up in Midland.
 
Smythe and Taylor offer a wide variety of traditional and contemporary acoustic music, including originals, country, folk, rock, blues and bluegrass. The duo is known for their symbiotic harmony, humorous lyrics and 3D guitar playing. Smythe and Taylor have been together since 2000 and have seven CDs between them, including two brand new albums, a studio CD, “Come What May” and a live album made up of “field” recordings from Texas, Poland and England called “You Shoulda Been Here Yesterday”.
 
The duo has been nominated five times in the Texas Music Awards and has played in over 150 venues, from San Francisco to Atlanta, and from Warsaw to the Hague. Smythe and Taylor played the main stage of the Woody Guthrie Folk Festival in Okemah, Oklahoma where their song “Hit the Road Again” won first prize in the national Woody Guthrie songwriting contest. They have recently returned from a two week trip to England, playing at the Guilfest music festival, as well as pub and house concerts.
 
“We decided to release two CDs simultaneously, for a few reasons,” Smythe said. “The two projects are significantly different, but belong together, like a diploid compliment (fraternal twins). The first CD, ("You Shoulda Been Here Yesterday") is a live recording that contains performances from six different venues from our 2007 tour through Poland, England and Texas.
 
The songs are eclectic, and seemed to fit better on a live CD than on a more rigidly-themed studio record. The covers are obscure, and lean toward the funny side of life. Some of our fans from last year's lawn concert asked for these songs, and we are granting their wish on this record! The sound quality of each room makes the listener feel as if they had gone on tour with us.”
 
The second CD ("Come What May") is a studio product with session musicians and very strong production values. Most of the songs are original compositions, most of which are already award-winning. We hope to get it played on NPR's "Prairie Home Companion" radio show with Garrison Keillor. That would be a dream come true! It has songs that really make the listener think about what's really important in their lives.
 
"We didn't let it stop us, but the cost of gasoline did influence our decision to combine and move up the date of the releases," Smythe said. "In order to make the deadline for the European part of the tour, we recorded and mastered the studio record in only three weeks at White Cat Productions in Houston. The live record was already 'in the can' but had to be engineered and duplicated in just three days! Including duplication time, both full length projects were finished in under a month!
 
Taylor's retirement comes after his purchase of a home in Westcliffe, Colo. After the end of August, S&T will be pretty scarce, but not impossible to find. "We have a number of annual events that we'll always want to play, but it does force us to take time off and do more writing individually. The internet will become our co-writing medium, and we'll both have recording rigs in our homes," Smythe said. "Gigs like the Museum of the Southwest will always be on the schedule, as long as we're invited to play. House concerts will also become more of a staple for us, rather than nightclubs or restaurants.
 
Smythe, who lives in Houston, grew up in Midland, attended Midland H.S. and appreciated the opportunity to play in her “real hometown” (one of her original songs about Midland). "Last year, the show at the museum was just tremendous," she said. "Over 1,000 people came out." Smythe said she actually recognized some of her friends from high school, and is looking forward to seeing them again.
 
If the show on Sunday isn’t enough for hardcore fans, they’ll be happy to know Smythe and Taylor will appear Monday night at the Midland Hilton’s Mahogany Lounge produced by the folks at Promising Projects.
 
"We played this show last year and brought the house down. The bartender was in tears, and the patrons left in stitches. We really didn’t want to stop playing but they had to close the bar at 11 p.m. We plan to push management for 11:15 p.m this year," Smythe said.
 by Graham Dixon
Midland Reporter-Telegram

Published: Friday, August 8, 2008 9:24 AM CDT
 
The quality of the summer concerts at the Museum of the Southwest increased considerably with the folk duo "Smythe & Taylor." These personable, talented musicians showed what two voices and two guitars can do when they are harnessed to great talent. The heat last Sunday was reminiscent of a Burning Man evening in Nevada. Much of the audience was quieter than normal before the concert began, as if talking would make them sweat more. Even the children were running a little less frenetically.
 
The duo started with "Rusty Old American Dream" -- a song that combines the gritty humor of old time country songs with the precision musicianship of folk singing. As in every song, every word was enunciated clearly. The duo harmonized with little apparent effort. In "West Texas Wind" the loneliness of being on the road as a professional museum brought a John Denver-like touch to the evening.
 
The surprising highlight of the night came with a very sweet song about dogs, "Great Dane," in which TC Smythe showed that she might have a second career as an animal impressionist as she 'talked' with the numerous dogs in the audience through various whelps, barks and howls. In other songs the impressions, which included an unfortunate person who has been just attacked by fire ants, did seem a little forced. Less is more with such additions to the music.
 
Humor continued with "You Should Have Been Here Yesterday," a song that anyone who has just missed an opportunity could empathize with. Taylor's award-winning "Hit the Road Again" was by turns funny and then moving in its story of a guitar sitting in a pawn shop that wants to be bought so it can be played again. The song reminded me of some of those in the movie "Toy Story" in which the toys lament their owners abandoning them. In the same way a guitar exists to be played. Taylor quite brilliantly evoked this simple truth.
 
The classic Patsy Cline song "I Fall To Pieces" was rendered with a pristine, powerful start and a crystal clear and yet gently flowing body to the song. As with many other numbers, Taylor brought a number of different styles to his guitar riffs, including a bluesy feel at the very end.

Perhaps inevitably the most audience involvement came in Smythe's song about Midland. "My Real Home Town" is in fact a strange, poignant love song. While it contains lyrics such as "two weeks from water, and five feet from hell," Smythe eventually sings that she in fact loves the city, despite its lack of physical charms. It seems that the beauty of a city, as with that of a lover, is in the eye of a beholder.
 
Smythe and Taylor's concert ended just as it seemed to be getting into full swing. That was a shame. We should all hope that their appearance at the summer concerts does indeed become a tradition, as Smythe suggested. Perhaps next year we can enjoy a full evening's set as a culmination of the season.
 
Mike Darnell - Big Lizard Boys - Had a great time at the cd release party and you all sounded great and put on a super show! You guys set a great example for the local music scene! Just wanted to say what a great job you did on the new cd! It flows very well and i wanted to listen again after the last track. i do need to get my copy autographed at our next meeting!
 
Tom Rush -
Smythe and Taylor (Folk) Lots of humor, lots of fun, but some really poignant and insightful songs as well. TC Smythe and Gary Taylor are really involved with Houston's independent music scene, and I very much appreciate the countless hours they've spent, often with little (if any) payback. (Oh -- Sandy and I liked Smythe and Taylor enough that we had them perform at our wedding. What a special thing that was, and not expensive, either. They also do house concerts... what fun!)
 
Jeff Chambers, talented Houston-area songwriter -
Hey--What a great night Friday! Excellent music! Y'all were superb! We had ourselves a beautiful time--Thanks! It's been a while since I was out in the audience on a S&T show, and y'all are just about as good as it gets. 
 
Melinda Iley-Dohn - KPFT Board member - Thank you for including Ed and myself in your wonderful CD Release party. The Hops House really is an amazing place and you guys rocked. I hope that your CD will be a big seller for you.It's really great. Thanks again.
 
Miran Belec - Polish DJ
- Hello,  I received your CD's. All three are very fine and interesting. I'll give much airplay to your music. Thank you for your support to my radio show.
 Chuck Kennedy of Whole Foods Market
“We had a great customer response to your performance, and I'd like you guys to have dibs on our bookings. In addition, I will contact you regarding cancellations or other opportunities. Sure wish there were more like you around.”
 
Michael Carr, Coordinating Producer, KUHT, Ch8 TV
I totally enjoyed meeting you at the Volcano. Your enthusiasm is fantastic. I am enjoying your CD very much. In fact, it has not been out of my CD player in my car. Let me know when you are playing "in town" .
 
Al Delaney - Outbound Music.com
Smythe and Taylor's CD, “Maybe It’s Because I’m Missing You” includes many well-known local and regional guest artists. All the songs are well crafted and performed. Most enjoyable.
 
Dan Workman, Owner, Sugarhill Studios, Producer, Destiny’s Child
“I'm still listening while I'm waiting to take my turn mixing. I'm really enjoying it. Great song writing first and foremost. Absolutely wonderful. Your players and Jack, did a superb job of supporting your music. Way to go. Very Very Good.”
 
David Scroggins - sound professional from Manitowoc, Wisconsin
Got your CD this morning. Wow! I am impressed! Excellent songs, and a very nice job on the recording/producing end. Whoever engineered it has an "unbiased" ear. Let me know when you go back out on tour. I’d like to be your engineer.
 
Ronn Reeger - Promising Productions, Midland, Texas
What a show the two of you put on in the Mahogany Lounge! And what an honor to be responsible for TC performing for the first time in 'her hometown'. It was a pleasure to work with people who are such professionals on so many different levels. And just plain good people to boot! Thanks again TC for 'coming home' to Midland and to you Gary for accompanying her. We look forward to having you back!
 
Cullen Graff - Dist. Mktg Mgr - Borders Books
Thank you for coming early and helping us with the sound system and for playing at the store. The music was great. You'll be at the top of my list.
 
Kristin Gamboa - President Kingwood College Songwriters Assn -
..."a desperate town only a native could love"..... TC, I've been listening to your c.d. this morning and I LOVE it!  Thank you for sharing it with me.  I will play it for the KC Songwriters at our next meeting and I'm 99% sure you'll be asked to be our special guest artist at our next event. Thank you for *everything*!
 
Teresa Allen - Pacifica Radio Network - National Board -
After hearing rave reviews of your performance at Millbend, I sure want to thank you for the gift of time and talent. They said that they had thoroughly enjoyed the show. One guy compared your voice to Carole King. Walton said that the sound was wonderful . Sure want you to know that we are most grateful that events fortuitously evolved this way. Hope it was an enjoyable experience for you as well.
 
Tom Yeager and Sarah Draper of The Songbird Sanctuary -
The enthusiastic audience and friendly company made the night a memorable occassion for us all.  We enjoyed your playing and hope that you will come back and treat us again in the future.
 
Lucky Boyd, MyTexasMusic.com -
Some do it for the money, some do it for the promise of fame, and some do it just to surprise those who said they couldn't. Once in a while you come across someone who does it simply for the music. T.C. and Gary love the music. They love being around great pickers and surrounding themelves with the best. They're busy building real friendships in the music, instead of meaningless acquaintances.
 
The songs are great, the orchestration is perfect, that's a given, but two things make this more than just a collection of great talent. First, T.C.'s voice is soothing and flawless, dancing and swirling through each cut with a Ginger Rogers-type grace. This is her best work. Second, the glue that holds it together is the masterful songwriting by Gary Taylor and production by Jack Saunders. Turning out a great project rests on the shoulders of the producer regardless of the quality of the music, and Jack has captured Smythe and Taylor's music expertly, making this a must-buy for Texas music fans.
 
Ben Omhart, Musesmuse.com -
A half hour of pop/folk songs from 1999 Songwriter of the Year (Fort Bend Songwriters Association) Ms. Smythe. She's a nice success story - the kind I always believe in.
 
Her musical style is simple guitar and voice, letting the songs themselves speak instead of huge production. 'A Spirit All Her Own' reminds me vaguely of Helen Reddy, but with a trill on the ends of some words. She's a good folksy guitar player with a fine down to earth lyrical blend. 'when I look at her, I'm really lookin' back at me / I'm remembering a child I used to know /though our differences are many, the similarities / tend to bring it home - she has a spirit all her own.' Ditto for Smythe.  

Interviews
 By Jimmy Patterson - Midland Reporter Telegram - 4/10/07
 
T.C. Smythe has never lost her love for Midland, Texas. She still fondly recalls growing up here. When she lived here she said "You could've walked an alleyway from one side of town to another barefooted and never picked up a sliver of glass." She is genuinely enchanted with Midland.
 
So much so that she wrote a song about us and this place we call home. Smythe, a Houston-based folk singer, wrote "My Real Hometown" and posted it on YouTube. It has had over 12,000 views as people continue to pick up on her obvious talent as a singer-songwriter as well as her touching tribute to the Tall City.
 
Smythe and musical partner Gary Taylor will play Midland's Museum of the Southwest's Summer Lawn Concert Series at 7 p.m. Sunday, July 8. They will likely be well received.
And to listen to T.C., she's as excited about coming home as Dolly Parton returning to Pigeon Forge.
 
"The streets seemed so wide when I was a kid," Smythe said. "So wide and so slow. The streets were our playground. We only had each other for fun and there wasn't much for us to do. At that age we didn't have cars yet. Our amusement was collecting horny toads in the vacant lots and scaring our mothers with them. Those memories ... such great pictures come back to me. When I wrote "My Real Hometown," I just had those pictures floating around in my head; I always heard people say 'Midland's a good place to be from,' and finally I got sick of hearing it after the 5,000th time.
 
"It doesn't matter who you are politically or racially, you don't have permission to hate my town."
 
Smythe's YouTube video grabbed the attention of many who no doubt have similar feelings, judging not only by the number of clicks but also by the comments that have been left.
 
Smythe, whose mother "lived on the Lee side of town" and whose grandmother lived near Midland High, attended both Midland and Lee before moving to Houston and finishing high school. Before devoting her fulltime talents to singing and songwriting, T.C. worked as a Competitive Intelligence Analyst for Amoco, where she met Taylor, who was also a musician.
 
Smythe says her husband, Kenton Smythe has been fully supportive of her change of career.
"He knows I have a passion for it. As long as I exhibit the ability to make money and pay half the bills," she joked.
 
Smythe and Taylor will no doubt play "My Real Hometown" during their gig at the Lawn Series, and will likely also play a second song she has written about the area's fierce wind, as maybe even "You Can't Be a Wimp and Live in Texas." Smythe has also said she would like to rework Pete Seeger's famed folk song "Erie Canal" and have it be about the flooding she remembers on Wadley.
 
Smythe and Taylor play internationally, were nominated this year for four Texas Music Awards and shared the stage at the TMA ceremony with Michael Martin Murphy.
 
Houston Chronicle - "HandStamp Asks" by Sara Cress and Joey Guerra
August 30, 2005
1. Why should anyone care about the music you make?
 
"We have a good time every time we play and we hope that rubs off on the audience. We have five CDs between us of original and obscure music ranging from folk, blues, bluegrass, country to jazz, so there is something for everyone. The best compliment that we hear is, 'Hey, I heard you guys last week and I've been humming that song all week and it's driving me crazy!'"
 
2. How attractive is your band?
 
"The most attractive part of our group is Gary's Martin D-18 -- cracks and all -- and TC's Gibson CL-40 Songbird. But seriously, we're a mighty good-looking pair of songwriters!"
 
3. How much do you rock, percentage-wise?
 
"It depends on the audience. Last New Year's Eve we rocked all night, as people were in a partying and dancing mood. Some nights are more mellow. Left to our own devices, we tend toward thoughtful and funny original songs with good guitar licks and 3-D harmonies."
 
4. What is the best thing to ever happen at one of your shows?
 
"That's a tough one -- there's a lot of entries in that contest. One night after a show, this drunk guy paid us $100 to sing one song Mariachi-style outside of his girlfriend's apartment window at three a.m. He was trying to win her back after messing up somehow. It was a surreal moment. You could almost hear her thinking, 'Dude, when these songsters leave, I'm going to kill you!' And we haven't seen him since!
 
During our recent Colorado tour, we were packing after a show at Zeke's Cafe (in the mining town of Victor) and a woman was walking a six-day-old burro on a dog leash up the middle of the street. Just then, a guy pulled up in a beat-up pickup to tell us his story about how a bear had come in through the dog door of his trailer and mauled him. He even had the scars on his head and neck to back it up. There's a song in that somewhere!"
 
5. Next five songs on your iPod or what disc is in your car/home right now?
"David Wilcox, James Taylor, Old and In The Way, Gordon Lightfoot, Joel Rafael."
 By SARA CRESS - Copyright 2005 Houston Chronicle
 
When TC Smythe quit her job in the oil industry to pursue music in 1999, she promised her husband the music would pay for itself. The only way for that to happen was for her to take every aspect seriously. When her performing partner, Gary Taylor, who left his job in the oil industry around the same time, calls their relationship a "business partnership," he's not kidding.
 
 "Once a year we have a long-term planning session," Taylor says. "We review what we did the previous year and what we want to do this year. I was a research scientist, so it's part of my nature".
 
"This wouldn't be possible for me without him," Smythe says. "There's nobody else who has the same combination of talent and business acumen."
 
Before you decide this is a rather cold way to view a music career, let the duo persuade you otherwise with its passion for music, performing and community. Smythe and Taylor swear they don't tire of playing, even though they average around 15 gigs per month ("I don't think we've been doing it long enough to be jaded after five years," Smythe says). Taylor is the president of the Houston Fort Bend Songwriters Association, while Smythe is on the board at KPFT and hosts an open mic night every Sunday at JP Hops House.
 
Taylor has been playing guitar for much of his life, learning as a teenager while aboard the iron-ore freighters that he worked on during summers in Ohio. He played Gordon Lightfoot songs and credits the songwriter as a key influence.
 
"I started out writing topical songs for specific events. I used to go on geologic field trips and write a song at the end of it, making fun of what happened. That was a good teacher as far as how to put things together."
 
Smythe has a different story. She didn't get her first guitar until nine years ago.
"Then I found the HFBSA and started going to their meetings. They taught me how to perform, to sing, to write songs. They have an open mic night that I went to religiously. They have a wonderful group of people who review your new songs. I listened to them for months before I wrote a song. It had six verses, so I boiled it down to the three best, entered it into their songwriting contest, and it won first prize in the folk category."
 
Remember, that was the first song she'd ever written.
 
"It was a fluke! I thought I'd never write another one. But then one of my mentors, Dale Dickerson, passed away. In my grief of losing him I was moved to write another song. The first six songs I wrote were about dead people. I am the dirge queen of west Houston."
 
Together, Smythe and Taylor have released two albums, the latest, Maybe It's Because I'm Missing You, came out earlier this year. It's a traditional collection of feel-good folk with songs about land, love, life and Smythe's defense of driving an SUV.
 
I'm Taking It With Me When I Go, about hauling a trailer full of stuff and beer and a blonde up to heaven, showcases Taylor's wry sense of humor, which he injects into many of his songs. My Real Hometown is a standout Smythe song featuring her pretty warble. Hit the Road Again won Taylor first prize in this year's Woody Guthrie songwriting contest. The prize included the chance for the pair to perform at the Woody Guthrie Festival in Okemah, Okla.
 "That was cool for me because I played folk songs in the '60s and Woody Guthrie was folk's patron saint at that time.
Being recognized in that festival brought it full circle," Taylor says.
 
Though the duo rarely writes songs together whole hog, they subscribe to a brand of collaboration to which they prescribe. "One of us will write 90 percent of the song and the other will finish it off," Taylor says. "He tempers all of my emotional flotsam and jetsam," Smythe says.
The two big goals for 2006 will be opening for a major name (Smythe rattles off Dar Williams, David Wilcox and Erica Luckett) and touring Europe. Smythe also pushes house concerts, which are concerts a fan's house or backyard, as the wave of the future for acoustic acts.
 
"They will be the saving grace of live music," Smythe says. "It's the best experience for the listener, it's best for the musicians and they are so easy to put on. They enable people like us to make a living. It's hard to make a living doing this, even when you work like hell, it's hard."
 
Git’cher Coffee Sugared Up! (LaGrange Observer, May 2005)
 
“Look, Gary – we can get outta here!”, says TC Smythe, upon decoding the maze of tiny lines and furrows on her outdated and tattered map of Greater Houston. “West looks pretty good to me”, laughs Gary Taylor, half of the acoustic duo, Smythe and Taylor.
 
These two are on a quest to continue to introduce their comical and poignant brand of songwriting to audiences outside their backyard of Houston, Texas.
 
“Organizing a real tour was just a dream in the beginning”, says TC, “but now that we have a solid fan base in Houston, and a solid collection of songs on the radio, we decided it was time to start competing on a higher level. That means touring”.
 
The Smythe and Taylor 2005 tour begins in Fayette County, proceeds to Kerrville, San Fransisco, Memphis, and Nashville. After that, the duo will set their sights on Colorado, Gary's home state of Ohio, TC's hometown of Midland, Texas and Gary’s old stomping ground of Warsaw and Krakow, Poland.
 
Gary turns to reveal the back of his black t-shirt which is covered with text. “Our first tour only exists on the back of this shirt with the names of all the venues we’ve ever played. There were so many, it’s hard to read.”
 
On Saturday, May 28th 8:00pm, ‘S&T’ will appear at The Bugle Boy Espresso Bar, 1051 Jefferson. They plan to offer a combination of traditional and contemporary music, including original compositions in country, folk, rock, blues and bluegrass. Their symbiotic harmonies, ‘funnier-than-all-get-out’ lyrics and 3D guitar playing are the hallmarks, all of which can be found in Gary’s radio hit single, “You Can’t Be A Wimp And Live In Texas”.
 
Their new CD, “Maybe it’s Because I’m Missing You” was released in March to critical acclaim, and the group was instantly overwhelmed with 16 dates in April and an appearance on the Bugle Boy’s ‘Peace From The Porch’ stage at the Houston International Festival.
 
Their first appearance in LaGrange was during the BP MS150 bike ride last year. The organizers enjoyed them so much, that they were featured again last month under the BP Big Top, and have already been booked for 2006.
 
With 5 CDs between them in less than 5 years, this duo gathers no moss. Both have won multiple “Songwriter of the Year” awards, and enjoy the company of the finest musicians in the state on their projects. So “git’cher coffee sugared up”. This duo is hitting the trail, Saturday, in LaGrange.
 By Kristin Gamboa of the Kingwood Observer
 
Observer: What are your zodiac signs?
 
Gary: Aries, with a bad moon rising!
 
TC: I was born on Bob Dylan's birthday, so that makes me a Gemini.
 
Observer: What made you begin to play music?
 
Gary: I learned to play the ukulele when I was about seven and my brother and I sang folk songs and skiffle music as the "Taylor Brothers". My folks brought me a guitar from Curacao when I was 12 and I was "all folk, all the time". I really got rolling playing Dylan and Gordon Lightfoot songs during my high school summers while working on the iron ore freighters on the Great Lakes - there are a lot of free hours sailing from Chicago to Thunder Bay.
 
TC: When I was a kid, I learned to play piano, but we moved around quite a bit, and had to let go of the old upright. I didn't do anything more than sing in school choir and barbershop quartets. Later in life, the sheer boredom of being an oilfield wife drove me to severe bouts of introspection and navel-gazing, so shortly after I returned to the U.S., I bought myself a gee-tar!
 
Observer:. What are your hobbies/interests?
 
Gary: Most of my interests revolve around music, but I also consider cooking and Surrealistic art other hobbies.
 
TC: Since taking up music full-time, my hobbies and interests are almost exclusively centered around music. If I'm not playing, I'm probably experimenting with some new piece of sound equipment, or trying to find better ways to transport it.
 
Observer: Do you remember your first song?
 
Gary: My first songs were written to "commemorate" week long geologic field trips so they had a shelf life of one performance, but that was about what they were worth. The first song beyond those songs was "You Should Have Been Here Yesterday", a tongue in cheek song about windsurfing. By contrast, TC's first song won a guitar in a song writing contest - now that' s a confidence builder, eh?
 
TC: My first original composition was a song called "The Ballad of Wanda Vista". You can hear it at http://www.tcsmythe.com in the free music section. I finished it in January 1998 for the Fort Bend Songwriters Association critique session. It's a rags-to-riches ballad about my maternal grandmother. She had a great story.
 
Observer: How would you describe your musical style?
 
Gary: My style is a blend of folk, bluegrass, old country, old rock and roll, and standards from the 20's-40's. My voice sounds a lot better if TC is singing harmony behind it.
 
TC: My vocals have a pretty clean finish. Because of that, some folks say I sound like Allison Krauss - others think I'm closer to Judy Collins, but I prefer to think of myself as a good vocal 'blender'. I love harmony so much, I wish I were triplets! On the guitar, I have a fingerpicking pattern that really sound nice behind Gary's more percussive style. He's a pretty good flatpicker, too. Genre-wise, I call us 'eclectic', because we write so many different kinds of music, but it's also safe to call us 'acoustic'.
 
Observer: What experience do you have?
 
Gary: I've morphed every decade: I was in a Peter Paul and Mary trio in the 60's, a folk duo with my brother playing coffee houses in Ohio in the 70 's, playing solo in the 80's, in a newgrass band in the 90's (where I seriously started writing), bringing us to Smythe and Taylor over the last few years. And I might add, I've made many tens of dollars with my music over those 40 years.
 
TC: Well, I have 8 years on the guitar now, and a lifetime of singing harmony. Lead vocals started in 1997, and I've been writing since 1998 and recording since 1999. Between us, we have 4 albums published with White Cat Records
 
Observer: How did you meet each other?
 
Gary: The late Houston songwriter, Joe Ed Davis, asked TC to sub for him at a Saturday night gig at Diedrich's Coffee House on Montrose, so she suggested that we try to put a couple of sets together. We found that we had quite a few songs in common and a strong interest in vocal harmony and songwriting.
 
Observer: Any events coming up soon that we should know about?
 
TC: We'll be the featured musical act on PBS Channel 8's "The Connection" on March 2nd (8:00pm) and the 7th (5:00pm). It's a locally-oriented variety show about art, news and music in Houston. On March 18th and 25th, we'll be playing live on KPFT 90.1FM's HAAM Radio Show. It airs at 3:00pm both days. The rest of our dates can be found on the calendar page at www.smytheandtaylor.com.
 
Observer: What advice do you have for aspiring songwriters and musicians?
 
TC: I'll speak to the career side of this and let Gary tackle the craft of songwriting. The answer depends on what your resources are like. If you're trying to make a living at it, I would learn to do more than just sing and play. Learn to design webpages, duplicate CDs, or intern at a recording studio. I say this because even if your band is outstanding, the Houston nightclub market has an unwritten law that 'musicians-shall-not-be paid-more-than-$100-each'.
 
If you're only playing Fridays and Saturdays, that makes it extremely hard to pay the rent! Breaking that barrier is extremely difficult, especially if competing bands are charging less just to get the stage time. However, you can make good contacts by joining your local songwriters association, or joining groups like HAAM (Houston Association of Acoustic Musicians) For more on this, I have posted a series of articles on the music business in the Knowledge Section of www.soundchick.net.
 
Gary: As far as learning the craft of songwriting, there are many good avenues. Visit the Houston Fort Bend Songwriters - www.hfbsw.org - TC and I are both members - it's a great place to trade ideas with those who share your interest. Also check out Nashville Songwriters Association - www.nashvillesongwriters.com and American Songwriter Magazine, www.americansongwriter.com. The key is just to get into the habit of writing and develop your own songwriting voice and style.
 
Observer: Which song personifies your unique musical style?
 
Gary: People would recognize me as a "Dylan/James Taylor/Paul Simon meets the Austin Lounge Lizards" kind of guy. I think my writing style most resembles Steve Goodman and Tom Paxton.
 
TC: I don't have a straightforward answer to this. I'd have to list what's in my CD collection to show you what kinds of things influenced my growth. But I can say that my current favorite artist is David Wilcox. Or Cheryl Crow. Or Gary.
 
Observer: Where is your favorite place to play?
 
Gary: Any campfire or anybody's living room where there are a few people listening.
 
TC: For playing cover music, we get a good response at Grappino's Italian restaurant. For originals, I like original music venues like the Hops House or McGonigels Mucky Duck. My favorite is the house concert circuit. I wish more folks would learn about them - they are so easy to pull off, and everyone gets a better show.